Yep, that's the one quote I'll never forget, along with:
"I'd like to quote Keith here, who said 'you can never have enough SE-70's'"
and
some stupid wrong quote about a dynamic-processor he used, where he explained that the mid-ranges reach your ear before the bass-levels and he used that machine to correct that, hihi...
Yeah, there are good tunes out there being all MIDI-sequnced,
but never as good as the native-timing-stuff.
Okay, if you keep the MIDI-stream slow and reduce data (some gear has options like 'decrease MIDI-Output' or something, where after one sent status-byte only command-bytes follow, which brings it down to 2/3 already), but still... Nothing for me... brrr... :-)
Nice shit dude!
I'd especially like to hear King Dubby (wasn't there a track from Beats INt. called like that?) in better quality.
You seem to suffer from the same problem as me...:
One can immediately hear that you love Prodigy... :-))
Which is absolutely shitty, as far as it concerns me, because I had to work heavy for getting away from that.
Now that I got away, my tunes are like electrojazz-type of stuff.
And when I even *dare* to write something with proper beats, it immediately becomes a second Funky Shit or something.
Just a few days ago I started something that could be a rmx of Narayan. I tried so hard to make it different...
I don't have anything on the web, but I could send you something per mail or ICQ. Or, wait, I'll reactivate my old website. I used to sell music on there, but I do that differently now.
By the way: You should try that as well.
I sold single HipHop-beats for ads or wrote a friendly little piece for a firm that wanted to have a telephone-waiting-line-loop, its not much money, but it's good, honest money. Enough for cables at least ;-)
Cheers mate