The Prodigy related articles from magazines.
NME
Little John's Farm, August 24: the dance titans return to a festival that’s always felt like home, and are determined to honour the late, great Keith Flint
4/5
“After losing Keith,” the Prodigy’s Liam Howlett told NME earlier this week, “we couldn’t even think or talk about the band.” It was, he explained, around “two years” before he and vocalist Maxim could even face the prospect. And even then they wondered, “‘Could we play live again? Did we want to? Why? How?’”
The ‘why’, it seems, if that this gloriously unhinged, carnivalesque rave-up is a kind of living, breathing tribute to late vocalist and frenetic vibes man Keith Flint, who tragically took his own life in 2019. This is made explicit during Flint’s anthem ‘Firestarter’: screens on either side of the stage depict his unmistakeable, Devil-horned silhouette in neon green, with lazers beamed out into the audience as though he continues to cast his spell. Howlett and Maxim remix track to slow down Flint’s lyric, “I’m the starter!”, an immortal line if ever there was one.
And then there’s the ‘how’. Reading & Leeds’ new Chevron dance stage, replete with a canopy that glitches, flickers and pulses with flashing lights and even the band’s insidious insect logo, is the perfect platform for their return a festival that, Howlett told NME, has always felt like home. The stage, meanwhile, is like a steam-punk serial killer’s basement from David Fincher’s nightmares: the aesthetic grey and rusted-looking, with analogue numbers counting down and ominous, oversized figures lurking in the background.
Overall, though, this is a glossily produced and sensationally life-affirming gig. In Flint’s absence, Maxim carries the show almost entirely himself: “All my Prodigy warriors here,” he commands, “let me see you! This shit is for life. Live this shit. Breathe it.” When he shouts out “all my shirtless, sweaty warriors in the middle,” live member Rob Holliday cocks his guitar like a rifle as if picking them off. Maxim lets out an ecstatic roar – “Whooooooo!” – to the sonic assault of ‘Roadblox’, the light show glitching out of control and the beats raining down blow after blow; the sense of release palpable.
For a good hour, this is the Greatest Show on Earth. The energy, though, dips in the final third, while the brain-frying ‘We Live Forever’ peters out into low-key bleeps and bloops that sap energy from a closing ‘Out of Space’. Still, the abiding image is that of the festival’s fairground rides scything away in the background as punters pulsate to audio-visual chaos from ahead and above, Flint’s spirit well and truly imbibed.
‘Breathe’
‘Omen’
‘Spitfire’
‘Firestarter’
‘Voodoo People’
‘Roadblox’
‘Light Up the Sky’
‘No Good (Start the Dance)’
‘Poison’
‘Get Your Fight On’
‘Need Some1’
‘Smack My Bitch Up’
‘Take Me to the Hospital’
‘Invaders Must Die’
‘Diesel Power’
‘We Live Forever’
‘Out of Space’
31 Dec 2011 | Sabotage Times
The Prodigy Interviewed: “No more snorting cheap speed and banging pills up my arse”
06 Sep 2019 | Music Business Worldwide
Peermusic UK signs the Prodigy’s Maxim Reality to exclusive global publishing deal
02 Nov 2017 | South China Morning Post
Liam Howlett of The Prodigy on ‘fake controversy’, the band’s fired-up frontman Flint and new ‘old’ album ahead of Clockenflap
01 Aug 1992 | Mix Mag
Did Charly Kill Rave?
30 Jul 2019 | MusicTech magazine
Prodigy engineer/co-producer Neil Mclellan remembers the Jilted Generation sessions
Big set of The Prodigy stickers. 15 different designs (2 of each) and total of 30 stickers. Sticker sizes vary from 9 cm to 3,5 cm. Order here >